Sam Amidon’s “Bright Sunny South” consists of pop music covers, yet his stunning and singular vision beats throughout.
Daughter played a sold-out show in Chicago last week at Lincoln Hall, and we were there to catch the rising British act.
Though some tracks seem a bit aimless, College’s “Secret Diary” holds up well for being five years old.
“Colossus” is a monster sophomore effort from MF/MB/, examining the dark parts of the group’s psyche.
There’s confidence in AMOK, but little ego; calmly but intentionally building something greater underneath.
Waiting for Something to Happen only proves that Veronica Falls are prepared for the great beyond and more, even if that means hitting 30.
“Push the Sky Away” is another triumphant album from Nick Cave and crew, albeit maybe not the loud, raucous one hardcore fans want.
While Wonderful, Glorious faltered in its journey, the final result gives you hope that E might be able to move on after all.
The History of Apple Pie does justice to the shoegaze genre on their latest album, keeping it alive without trying to reinvent the wheel.
“Anything in Return” is an album of refined, glossy electropop from Toro y Moi with a “slice of life” aesthetic that serves him well.
Ex-Girls frontman, Christopher Owens, uses his magnanimous confidence to record a solid twee record.
The xx’s second album “Coexist”” is number 4 on our Best Albums of the Year list. Enter to win our picks!
Dirty Projectors’ “Swing Lo Magellan” is number 21 on our Best Albums of the Year list. Enter our competition to win them all!
On “Mean Tom”, Teen Mom’s combination of ambitious arrangement and breathy vocals has never been more well-defined or well-executed.
On their second album this year, Teen Daze have grown and matured in a short time, resurrecting the oft-stale genre of chillwave.