
February 7, 2012 • Posted by: StephenBarker
of Montreal have gone back to basics while at the same time developing a penchant for thick, overlong instrumentals, often doing both in the same song. The result is wonderful, terrible, fascinating, treacherous, glorious and ultimately frustrating album.

February 7, 2012 • Posted by: Cait
Sometimes he sounds straight out of a saloon, sometimes he sounds like a like a pulpit-pounding preacher, sometimes he could be a cheerful grandfather singing his grandchildren a silly ditty, and sometimes Leonard Cohen sounds like a veritable legend. Whatever your degree of contact and connection with this record, it becomes apparent even upon a cursory listen that, despite its flaws, this collection of songs is the work of a musical genius.

February 7, 2012 • Posted by: Cameron Deuel
“Melt” is the highly-anticipated debut album by Young Magic, streaming here for an entire week before its release.

February 7, 2012 • Posted by: Andy
Listen to this EP that The Rapture recently released featuring remixes by Aeroplane, Cosmic Kids, and Cut Copy.

February 6, 2012 • Posted by: Jay Armstrong
“Next In Line” is the first taste from Walk The Moon’s three song EP Anna Sun which comes out tomorrow.

February 6, 2012 • Posted by: Cameron Deuel
While his direction isn’t necessarily original, Nacho proves that he’s able to wield his lyrics with a sense of humor. He may be under-appreciated in the latest wave of experimental hip-hop, with artists like Danny Brown, Tyler, the Creator, and Lil’ B around, but his talent is greatly complimented by Blue Sky Black Death’s beats. “Lord of The Fly” is a step in the right direction for Seattle’s hip-hop.

February 6, 2012 • Posted by: Cameron Deuel
Chairlift bring a little more sonic muscle, as well many more nods to the 80s, to their latest album and it’s pretty much a dance-fest from start to finish.

February 3, 2012 • Posted by: Shari Jaffri
“Ester” may not bowl you over completely, but it is definitely a winner for hazed out nights and early morning monologues.

February 3, 2012 • Posted by: Alex
“Let’s Go Eat The Factory” is an uneven album for sure, but it should please GBV fans with a retro hankering and suggests good things for them in future, especially if the whole band starts having as much fun as the returning Tobin Sprout clearly is.

February 3, 2012 • Posted by: Jorge Mir
Listen to Blonde’s self-titled debut album in full!

February 2, 2012 • Posted by: Alex
No need to beat around the bush with this one: “We Don’t Need” is an almightily good EP. It’s tempting to call Cheyenne Marie Mize promising because her career is so young, but that’s underselling it: this is a compelling record, equal parts fascinating experimentation and plain fun, and as exciting as Mize’s future will no doubt be, she deserves your attention right here, right now.

February 2, 2012 • Posted by: Chris Hanna
Maynard James Keenan’s continued evolution on “Conditions of my parole” is remarkable and well worth highlighting, albeit a little late!

February 1, 2012 • Posted by: Nathan
“Attack on Memory” forgoes the “sophomore slump” and provides a valid argument for Cloud Nothings as purveyors of a rare brand of Rock with a capital R that exists beyond trends. This is one of the first truly great albums in a year that could be full of them.

February 1, 2012 • Posted by: Jorge Mir
Stream Dr. Dog’s new album, “Be The Void”, in full.

February 1, 2012 • Posted by: Cameron Deuel
As formal introductions go, “Strange Weekend” is a pretty good one. In a flooded genre it stands out as an example of how far bedroom pop can reach.

January 31, 2012 • Posted by: Alex
The first in a series of looks back at great or underrated albums from 10 years ago. “Sea Change” doesn’t feel like a Beck album; it feels like a Beck Hansen album. It took us closer to the real man than ever before, and we’ll probably never get as close again.